Saturday, October 29, 2011

The Blue Tail


I am thrilled to announce the publication of my new novel The Blue Tail.

(By the way, Green Snake Publishing has reduced the price of all print editions of my novels published by GSP through January 2012.)

Here's the cover blurb for The Blue Tail:

Serena Blue has heard stories of the Old Mermaids all of her life, and she’s tired of them and her mother’s eccentric life in Santa Fe. She struggles to find her own identity after her boyfriend Stephen beats her. Serena travels to Oregon with her mother and her grandmother where she meets Annie and Freeman who comb the beaches looking for signs of the Old Mermaids. Serena learns that her grandmother believes she was once a mermaid before Serena’s grandfather forced her to marry him; now she longs to go back to the sea. When Serena discovers her grandmother was once in a mental institution after drowning her baby son, Serena is sure her grandmother is still crazy. Family secrets begin to unravel, and Serena isn’t sure what is reality and what is delusion. When Stephen follows Serena to Oregon, she has to decide if she will embrace her true wild self or return to her old life. Can she choose herself over her boyfriend before it’s too late?

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Tuesday, October 11, 2011

Kyle's War


Mario Milosevic's provocative new teen novel, Kyle's War, is now available in print and for e-readers! Mario always has a fresh perspective on just about everything; this time he tackles the effects of government repression on a young boy:

In a near-future America plagued by fear and repression, a young man must choose between violence and hope.

Kyle lives a typical teen’s life in Cedar Falls, Washington, with his Canadian expatriate parents who commit their lives to free expression. After Kyle’s parents display paintings at their art gallery that depict the president as a terrorist and mass murderer, the feds shut down the gallery and brutally arrest Kyle’s parents for subversive activities.

Kyle’s life spins out of control. How will he survive without his parents? He tracks his days in various notebooks, grasping for some way to understand his crumbling world.

Meanwhile, the president lowers the draft age to sixteen. Teens all over the country will soon be dodging bullets in the Middle East where Chinese and American soldiers regularly exchange shots and mortar fire in skirmishes over the region’s natural resources. Kyle needs to learn to fight and defend himself or he will die.

He receives a smuggled message from his mother instructing him to go to north. A secret network helps him escape to Canada where he soon discovers his own family harbors a horrific and violent secret that will make Kyle question everything he thought he knew about loyalty, war, love, and peace.

You can find it on the Green Snake Publishing website or go right to the sources:

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Wednesday, September 28, 2011

Native, Nonnative, or Mosaic?















Check out my permaculture post here.


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Thursday, September 22, 2011

An Old Mermaid Journal


An affordable and bound version of An Old Mermaid Journal is now available. Here's the description from the Amazon page: "This journal may or may not be based on the original journal of one or more of the Old Mermaids living in the Old Mermaids Sanctuary. The legend goes that whatever anyone draws or writes on these pages brings healing, joy, and magic into the world and into the life of the person who owns the journal. This journal has blank and lined pages and quotes from Church of the Old Mermaids, a novel by Kim Antieau." I love using these journals myself! (We're trying to figure out how to provide this journal to those of you who want to download it and print it off yourself. We'll get back to you on that.)


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Tuesday, September 6, 2011

The Gaian Tarot


My husband Mario gave me my first tarot deck when we lived in Bandon, OR, nearly thirty years ago. He bought the Aquarian tarot, wrapped it up on a cloth, put it in a wooden box, and gave it to be on my birthday.

Mario also introduced me to meditation. He is a logical scientifically-minded man and a poet who tells me to go talk to the faeries or "do a journey" if I'm out of sync with the world. His tacit approval of the tarot gave me permission to explore this arcane wisdom.

I don't know why I felt I needed "permission" from anyone to do anything. I had grown up very earthy, running around on our land out in the country, talking to my invisible friends as well as to the trees and birds and river. When I became a teenager, I worried about going crazy, like so many had in my family. So I eschewed anything even remotely connected with the invisible realms. Or anything weirdo, as one of my friends used to say.

I loved the tarot deck Mario gave me, but it also made me nervous. Every time I got the Tower card, something awful happened in my life. I didn't want to know the future, especially if I couldn't do anything about it. So I put the tarot away.

Years went by and I read Margot Adler’s Drawing Down the Moon. As I've said many times over the years, that book changed my life. Everything shifted after I read it. It was a lightning strike in my life, the Tower card in real life. Everything I believed about everything changed. I realized other people in the world felt about nature in the way I did—except I hadn't had the words to articulate how I felt before I read this book.

In Drawing Down the Moon, Adler mentioned the tarot as part of this other way of being in the world, a way that wasn't dominated by a patriarchal religion—or any kind of one-way or the highway religion—a way of being in the world that honored the divinity in nature, the divinity in all of us, a way of being that honored intuition and art and the arcane and esoteric. The tarot wasn't about predicting the future; it was about exploring our multi-faceted lives in the hear and now.

I began looking at the tarot again. The Motherpeace Tarot resonated with me more than any other. In her book Motherpeace: A Way to the Goddess through Myth, Art, and Tarot, Vicki Noble writes about the Motherpeace being the "lost parent of humankind....Centered in the heart, rather than the head, matriarchal consciousness requires a 'nonrational' means of approach. It is a creative, intuitive mode of consciousness."

How radical she was to question the "rational" and "logical" approach to everything. She wasn't advocating irrationality. She wasn't touting an unscientific approach. The Motherpeace tarot was a way of re-building those connections between the "rational" and "nonrational" parts of our being. It was a realization that nature, science, biology, and spirituality were all intertwined, all part of the living matrix.

I have collected many tarot decks since the first Aquarian deck and my Motherpeace cards. I've given away many of those decks, although I still have two Motherpeace decks. For me, the Motherpeace deck is the standard from which I judge all other decks.

I "met" Joanna Powell Colbert in the nineties when I asked her if she would illustrate an issue of Daughters of Nyx: a Magazine of Goddess Stories, Mythmaking, and Fairy Tales, the magazine Mario and I owned and published for several years. I'd seen her art in The Beltane Papers and thought it was lovely and evocative and was thrilled when she agreed to work with us on Daughters of Nyx. (Her issue is one of my favorites of our issues.)

Years passed. I'm not sure how we got in contact again. It was after I had written Church of the Old Mermaids. I went to her website and fell in love again with her and her artwork. It was like coming to a beautiful retreat every time I visited to her website.

She was working on the Gaian Tarot then. I was immediately intrigued. I bought the major arcana limited edition, which was all that was available then. What I loved about them then (and what I love about them now) was how beautiful, earthy, and peaceful they are. It was almost like looking at someone's photographs of their family and friends—even when those family friends happen to be flora and fauna—only now these photographs were amazing portraits of community members, mythic, magical, and profound.

I eagerly awaited the rest of the deck. A couple of weeks ago, I finally got the complete deck and book, published by Llewellyn.

I immediately compared it with the Motherpeace.

How does it fare?

I love it!

It's as if the Motherpeace was the blueprint for a possible way of being in the world, and the Gaian Tarot is the actual present incarnation of that life of peace and connection with each other, our communities, and nature.

This isn't a fantasy tarot. Nothing wrong with fantasy tarot decks but this isn't one! This is real life, earthy life, almost a record of a community and a way of being in the world: Human beings are a part of the natural world.

Joanna writes on her blog about the Gaian Tarot, "In these cards, you’ll find a multicultural, contemporary community of people living sustainably on the land and working to heal Mama Gaia. Animals frolic, plants unfurl, and elements sparkle. Each card is a teacher who is brimming over with lessons to share."

She's exactly right.

The cards are multi-cultural with people from different age groups with different body-types. The book that comes along with the cards is beautiful, well-written, and easy to use. The cover is of the Gaian Tarot's evocative Star card.

Joanna writes in the introduction, "Gaia—the living earth—is another kind of sacred text, especially for those who practice an earth-centered spirituality. I have brought together these two loves of mine—the tarot and the natural world—in the Gaian Tarot."

In the book, Joanna writes about the meaning of each card, suggests what it means if you get it in a reading, and what it means if you take into account the Shadow side of the card, plus she lists the themes of the card and gives an affirmation.

Her minor arcana are elemental: air, fire, water, earth. The numbering corresponds with the major cards. She writes,"Each of the number cards from the ace through the ten reflect the themes and wisdom of the corresponding major arcana card: Ace: Magician, 2: Priestess, 3: Gardener, and so on. The Seeker (Fool), numbered zero, is the querent's alter ego. Much has been written about the Fool's Journey through the majors, but there's a journey through the minors as well."

Inspired by Teresa Michelsen's work, Joanna sets up the minor arcana cards so that they're “Three sets of three-card mini-dramas, with the 10 as a card of transition.…The first card of each set is a new beginning (ace, 4, 7). Each middle card 2, 5, 8) is a challenge card. The third card (3, 6, 9) is a resolution card, assuming the Seeker has successfully met the challenge of the middle card." (I love this!)

The court cards in traditional decks are people cards in the Gaian Tarot. They reflect the four stages of life: childhood (children), early adulthood (explorers), midlife (guardians), and old age (elders).

When I look through tarot decks, I always try to find a card that represents me. In the Motherpeace deck, it's the Temperance card: grounding cosmic energy. When I first got the Gaian Tarot, The Seeker (traditionally the Fool), felt like me. A woman stands on a hillside with a stick in her right hand, and a bundle over her left shoulder. She's got a yellow butterfly embroidered on her blue shirt. A fox stands next to her, as though waiting for her to begin. Next to her is the world tree. Swallows dive around her. Below a stream winds toward foothills in the near distance. I am forever on a journey, on an adventure. So I thoroughly relate to this Seeker.

When I got the rest of deck, two cards stood out for me in relationship to my own journey. In the Nine of Water, a woman stands with her back to us, her arms outstretched, in a sea cave. Joanna writes, "A woman enters a sacred sea cave and lifts her arms to receive the embrace of the Ocean Mother. She sings a song of devotion as waves crash and salt spray kisses her brow. As she sings in harmony with the rushing wind and tide, she enters into a mystical state of ecstasy."

The other card is Explorer of Earth. In this card a woman is "examining the duff at the base of the fir tree, looking for tracks or scat..." She looks up quickly when her attention is caught by a scurrying squirrel. Perhaps he is letting her know about the buck who stands just behind her." Joanna says when you get this card in a reading, "The Explorer of Earth experiences her spirituality in her body and in her relationship with the earth." That is certainly my experience of the world. (This card reminded Mario of me, too.)

I could go on, but I figure you might like to hear from the creatrix herself, the amazing artist and writer Joanna Powell Cobert. I've asked her some questions and I'm pleased that she's answered them below:

I've been following your Gaian Tarot journey for many years now, Joanna, and I'm delighted to now have the complete Gaian Tarot in my hands. You did the major arcana first, right? Were the major arcana cards easier than the minor arcana or were there just less of them?

I did the major arcana first because I was not actually sure that I would be able to finish a whole 78-card deck. 22 cards seemed so much more manageable than 78! In some ways, I think they were more difficult than the minors. Variations on the major arcana have been in print since the 15th century, while pictures on the pip cards (the minors) have only been around about a hundred years. So there is a lot more tarot tradition to draw upon when it comes to the majors. And, since they are "soul lessons," they are weightier in many ways than the minors, and more complicated.

It's interesting that your tarot deck of choice for many years was the Motherpeace Tarot, which was mine, too. I love that deck, and Vicki Noble is an amazing teacher. Did the Motherpeace Tarot inform and/or inspire parts of the Gaian Tarot? If so, in what ways?

Oh yes, Motherpeace was my go-to deck for many, many years. Motherpeace was definitely inspiring, because it is so Goddess-centric, and that is my worldview as well. My Gardener card owes a lot to the Motherpeace Empress, with the sensuality of the reclining figure on the card. The 2 of Earth in particular is a direct tip-of-the-hat to Motherpeace, corresponding to the 2 of Discs. In both cards, we see a parent coping with two children. Mine is a father instead of a mother, but it is a direct reference to the Motherpeace mother of twins.

People you know were models for the humans in the Gaian Tarot, for the most part. What was that process like? How did you pick people in relation to the cards? Did they sit for you or did you use photographs? Etc.

I took the reference photos myself for the most part, although some were taken by friends. I chose people that I knew not only because of their physical appearance, but also because they aligned with the energy of the card in some way. The Builder really did build his own strawbale house. The Gardener was pregnant at the time of the photo shoot. The model for the Sun card is a Leo who loves to wear red and was radiantly happy. The model for the Temperance card is mixed race — part Anglo, part Chinese-Hawaiian — and that was a perfect fit for the theme of blending opposites into a sacred third. The paddler in the Canoe card built his own cedar canoe and takes part in tribal canoe races. The Priestess is an experienced ritualist and High Priestess in two Wiccan traditions.

I was looking over the Gaian Tarot deck with some friends the other day. One of my friends insisted we were looking at beautiful photographs. I insisted we were looking at very realistic (and beautiful) paintings. Who is right? Can you describe your creative process in regards to the Gaian Tarot?

You are right. I have heard stories like this before, where people just don't believe the images are not photographs. I don't take it personally. The technique is a very slow, painstaking process known as colored pencil painting. I studied with a master of colored pencil portraiture, Ann Kullberg, back in the late 90's, and learned her techniques. She has several books in print that people can check out. I've gone into great detail about my creative process on my site here.

Basically, I start off by doing a photo shoot, then I create the composition in the computer program Photoshop. I print out the digital collage, then make a line drawing based on the collage. Then I start laying down the color, pencil stroke by pencil stroke, always looking at the photographs for reference. This is a very time-consuming technique, and there are between 50 and 100 hours in each piece. That's one reason it took me so many years to finish the deck.

I used to do tarot readings, but I stopped because almost everyone wanted me to use the cards to tell their future; they were disappointed when I said that wasn't really how it worked, at least when I did it. It was more like I was assisting them in interpreting a dream and the card spread was that dream. Of course every reader has a different take on the tarot. What is your philosophy when reading the tarot for someone? (By the way, after diving into the Gaian Tarot, I'm thinking about doing readings again. Thanks, Joanna!)

I like your analogy of interpreting a dream! Like you, I stay away from predictive readings because I believe they are disempowering and, in my experience, not very accurate. I like to think of a tarot reading as a three-way conversation between me, the person coming for a reading, and the Divine. I always create sacred space before a reading and ask for guidance. My style of tarot reading is all about helping the seeker to access her or his own inner wisdom. I help her to create open-ended questions. We have a conversation, and I ask the seeker what she sees in the cards. She talks as much as I do. Glad you're thinking of doing readings again, Kim!

What is it like doing readings using your own tarot deck now? The same as using other decks? Different?

I haven't used another deck in a long, long time. I know my own deck so intimately, and I'm happy with my own interpretations of the archetypes, so I'm just not really interested in using any other deck. I still learn new things about my own cards all the time, though. Recently we were discussing the Lightning (Tower) card in the Gaian Tarot Circle, and a woman who lives in the Arizona desert (shades of the Old Mermaids!) told me that lightning storms are a blessing in the desert. Lightning fixes nitrogen into the earth, leading to greener and more prolific plants. Who knew! And what a lovely metaphor for the Lightning card, as the trauma of catastrophe often leads to grace.

Do you have a favorite card in your deck and/or just in tarot decks in general?

I always look at the High Priestess, Moon and Star cards in any deck, because they tell me a lot about the deck creator's spirituality and attitude towards women. So yes, those three cards in the Gaian are three of my favorite cards. But my most favorite is the Guardian of Water. She is the Goddess card to me in this deck — the face of Kwan Yin and Tara, the Compassionate One.

Any advice for tarot newbies or oldies using the Gaian Tarot?

Trust your intuition! Your intuition about the meaning of any card trumps the book meaning every time. And—always look for the solution. There is a solution, or a way forward out of any difficult situation, in every card. None of the cards will leave you hanging, or without hope, even while they acknowledge the depth of your problem or your grief.

Thanks, Joanna!

Check out more about Joanna and the Gaian Tarot as her website, The Gaian Tarot. She also had a community membership site for the Gaian Tarot, The Gaian Tarot Circle. You can find her blog here, Gaian Soul.


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Monday, August 29, 2011

Wild Women Walking

I swear I live at the heart of the world, in the only break in the Cascades: the Columbia River Gorge. When I go grocery shopping, I can often see Mount Hood to the south and Mount Adams to the north. I follow wildflowers into the wilds at the heart of the world in the spring and summer and salmon in the fall. In winter, I curl into my own cave, like my ancestors the bear. At all times I listen for Bigfoot and Mountain Lion, Coyote and Hummingbird. I would follow them anywhere.

Yet this last winter and spring were difficult. Winter seemed to last forever: maybe because I didn't feel well, maybe because the rain went on and on and various members of my family weren't doing well. Maybe it was because I finished up a year-long graduate program in Seattle and I wasn't certain whether it had been the right decision to spend the money to go back to school.

Maybe it was because I wasn't writing much, or at least not as much as I wanted to. I had lost my mo and my jo.

Had lost it some time ago but I had kept going.

What else can you do?

I had had too many losses over the last few years, too many dead friends; my mother had died, and my family members often seemed on the verge of one tragedy or another--along with the rest of the world.

Since I was a child, I felt it was my duty to save the world. Whether the world asked or not. But my Wonder Woman skills had always been lacking, if one looked at the results: The world was tumbling, crumbling, bumbling.

Every day I watched the news and wondered if we were going to survive.

I had to change something, at least change something about me.

I stopped paying attention to most media, and I started walking. First I began walking labyrinths: one here in Skamania, one at Still Meadow, and mostly, the one in Portland at the Grotto. Set amongst tall Douglas Firs, this labyrinth felt like a doorway between here and there. I felt the presence of the invisibles more keenly there than I usually did. I heard "all the answers are in the woods."

Of course.

I went to the Douglas fir woods that encircle and grow up a sacred mountain near my home. I asked permission of all the wild things of that place to climb and visit the Witch of the Mountain.

I should describe this place to you. How can I? The wild is often indescribable. It's not so much what a place looks like but how you feel there. I always felt as though I was on the edge of something in this place I'll call Vision Mountain. Literally I was on the edge. Most of the trail is on the edge as it follows the shape of the small basalt mountain.

In the spring, deer's head orchids light up the dark sloping mountainsides like fuchsia-colored lightning bugs. We often see yellow wood violets and trilliums. I feel the presence of elk on this mountain, although I don't know if any animals live in this place.

I know when I hike this trail I could get hurt. And I have been. I've fallen a couple of times when I've been hiking alone on this trail. It's always the same: I'm walking forward and I look to my left or right, and then my feet slip out from under me. Fortunately I've been able to pick myself up and limp back down the trail. If I had gone over the edge, it would have been a different story.

What do I feel on this mountain?

I have spent a lifetime denying what I feel, especially when I am in nature. I feel the presence of life in the wild, life that I can see and life I cannot see.

We're not supposed to talk about such things. If we do, we're labeled crazy, illogical, or New Age. I do not want to have any of those labels affixed to me.

Yet I am not a carton of milk in the dairy section wishing to be a candy bar on the end aisle. Or something like that.

I am not a commodity.

What does it matter what someone labels me?

I talk to trees. I always have. I talk to stones. I always have.

This isn't something new for me. No one taught me to do this. It came naturally.

So what do I feel walking up Vision Mountain?

I feel the presence of the divine, of the invisible, the sacred, the wild, the weird.

Sometimes it takes my breath away. Sometimes it gives me breath.

I feel deeply alive.

And so this day I walked up Vision Mountain. I gasped for breath and walked half-bent, but I made it to the top without using my inhaler, which was my intention. Near the top Mario and I heard sticks breaking, and we felt certain a bear was warning us she was near. I felt bear--in my bones and breath, I felt bear all around me. Then a woman emerged from the brush and the woods. She smiled and passed by us, silently, a bear in human clothes. A shapeshifter.

A few minutes later, a young man hurried down the trail. He stopped to say hello. He told us how sacred he felt this mountain was. He was new to this, he said, talking about his spiritual awakening. But he believed in the power and beauty of nature. He said his wife, who had gone down ahead of him, was the true healer in the family. They were like one person they were so much alike, he said. He wanted to be a writer, but he wasn't sure if that was the right path.

I didn't know if I had ever heard anyone tell me so much about themselves in such a short period of time, especially not at the top of a windy mountain. The trees creaked above us as they moved in the wind. Seven hundred feet below, the river flowed silently.

He said he wasn't certain why he was telling us all this.

I encouraged him to go ahead with his writing. He thanked me and started down the mountain again. Then I asked, "Is your totem bear by any chance? I've felt bear all around up here."

He shook his head. "No, but it is my wife's."

The bear woman we had seen.

Of course.

Mario and I continued to the top. I left a couple stones on one of the ancient squat pine trees that grew, twisted, on the edge of the talus fields. I left other stones under another tree. (I intended to retrieve them at another date.)

At the top of the talus fields, I called to the Witch of the Mountain and received my blessing. The mountains all around me exhaled.

I inhaled.

I made an offering to the place, and then we descended.

A few days later, I walked up the mountain again with my friends Marie and Carly. Every year we tried to make a pilgrimage up this mountain. We began this year by making an offering to the poison oak: We promised we meant no harm to anything on the mountain, and up we went.

I had known both of these women for years. I met one of them when I took a Faery Doctor workshop with Tom Cowan, the summer my friend Linda was dying. Linda had told me I had to learn all the plants now that she was leaving; that had been one of her skills. That workshop had given me permission (of a sort) to talk to the plants again: to the plants, the faeries, the wind, the rain, the clouds. I had already been doing it, but to know there had been an ancient tradition of Faery Doctors who behaved just like me was liberating. That was where I met Marie. Later I met Carly in a Chöd workshop Marie taught.

I could talk about anything with these two women. Nothing was off-limits. Nothing was too weird or too personal. By profession one was a librarian and the other was an anthropology professor. They were both healers and teachers, both on a wild and wooly adventure through life, looking for love and truth, consciousness and ecstasy. I never felt like I was too much for them, or too little. They allowed me to be my true self.

I never worried that I would offend them. I could say absolutely anything to them. We could disagree with one another, or agree with one another.

I could be myself.

What a relief.

As we traveled up the mountain, we looked at the undersides of ferns to see their spores. We listened to the creaking of the Douglas Firs as a breeze wound through them. I pointed out shiny Oregon grape, the three-leaved trilliums now bereft of flowers, and indian pipe looking incongruous and ghostly white pushing up through the forest humus. We stepped carefully over the sharp stones of three talus fields. We stopped to feel the sun on our faces and remember that Carly had found a green frog on the largest talus field the year before.

At the top of the mountain that day, I retrieved the stones I had put on the old tree, and I gave one each to my friends. Now they could carry the mountain around with them. Then I got the other stones and put them in a pouch for myself.

We ate and sat on the top of the talus field on the north and east side of the mountain. The sky was blue and clear. The air was remarkably still.

Then I stood and began to sing. I just opened my mouth and sang to the spirits of the mountain, to the mountain, to the land all around, a voiceless song, loud and powerful, sounding like it was rising up from the ground below us.

As I sang, the wind began to blow. It got cold and began to rain.

"I didn't know that was a storm song!" I said.

We laughed and scrambled up, to get off the mountaintop.

"If I called in the winds," I said, "let's see if we can calm them."

So Carly and I began to sing to the tune of Brahms' Lullaby. "Lullaby and good night, lalala, please calm, let us get off the mountain without getting drenched and frozen..."

We sang this as the trees groaned from the wind. We sang as we walked.

A hundred feet later, the wind turned into a breeze. The rain stopped. We easily climbed down the mountain.



The next week, the three of us went to Falling Creek.

How many times had I walked this trail? The first time I had come here, to this trail in the Gifford-Pinchot, I hadn't been able to go beyond the bridge, just a few minutes from the trailhead. Later I went a little further, and then a little further. For the first year or more, I felt like I was going to die each and every time I was on the trail. Maybe I did. Maybe I died to my old self. Shapeshifted into a new self.

I had walked this trail on hot summer days. Walked this trail when it was covered in snow. Walked this trail as it rained. As it snowed. Walked this trail listening to the water, the possibilities, the birds, my heart beat.

Every thing seemed possible on this trail.

This day we walked and talked. Don't remember what we said to one another. Reached the falls. Watched the water pounding the pool below it before it turns into the creek. I remembered last year the three of us climbed down to be nearer to the pool, letting the spray from the falls cool our faces as the sun beat down on us. We were like three Angelica plants, drinking in everything.

On the way back, we stepped off the main trail and went down to the river. We climbed over huge rocks and sat near the water where it somersaulted over a short stack of rocks, making rapids. We sat sunning ourselves on these rocks, legs curled up beneath us as though we were three mermaids listening for messages from the churning water.

And we were.

Listening for messages.

And we were three mermaids.

The water's edge is an in-between place. Sitting at this edge, next to the river and the land I loved, next to my good friends, I felt something beneath the water. Felt the siren energy. Watched the bubbles--whole, tiny, silver--swimming in the cold green water before breaking the surface, merging with the waves. I put my bare feet into this mountain stream and felt myself shifting.

It would be so easy to fall into this water.

To become this water.

To become part of the mer.

How can I describe this place to you? How did I feel in this place?

Oceanic.

Like a siren.

Like myself.

Anything was possible.



A few days later, I drove Carly and Marie to Mount Saint Helens--to Loo Wit. We drove slowly, through the place where I live, through the Gifford Pinchot forest. I told them this back way was an in-between place. This whole forest. We were driving toward charnel grounds, and it was all sacred.

I didn't need to tell them any of this. They knew.

I said Sasquatch-like creatures lived in Spirit Lake and would drag them down if they got too close.

The mountain came into view soon, her gray sides reminding us she was a crone, given to explosions.

Marie wanted to go down one of the dirt logging roads.

"No," I said.

"Why?"

"Because people get lost and die going down those roads."

"But they're logging roads," she said. "They must be all right."

"No," I said. "I've been down some. It's very easy to get lost."

"That's only in the winter," she said.

"I'm telling you," I said, "it's just too dangerous."

We drove down the windy road. Up and down. The mountain got closer and closer.

They saw the blow down: Trees stripped of all their needles and branches, laid out on the hillsides, as though they were gray birthday candles some giant had blown out and blown down.

Charnel grounds.

Then we were at Windy Ridge.

I had forgotten how windy it was here, so I hadn't brought a hat or scarf. Below was Spirit Lake, still as a mirror, choked with logs at one end. I imagined a watery Sasquatch reaching up and taking me to the world beneath. Would it be like this world?

I loved this world.

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Shhh, this place is a cathedral.

Marie pointed to a gated road going toward the mountain. We walked around the gate and headed down the road. The wind was momentarily blocked. We gazed east. Hundreds, thousands, a million plus acres of forest stretched out before us.

We passed some kind of tiny research station. A tall young beautiful man was adjusting solar panels. Carly talked to him about what he was doing. He was a scientist measuring the movement of the earth. Or something. I wasn't listening. He wore a dark blue tank top and jeans. I remember that. The three of us walked to a spot above him to get a closer look at a ridge west of us where elk or deer or mountain goats watched us.

Then we kept walking.

When we were out of earshot of the tender of the solar panels, I said, "In my day, scientists did not look like that."

We laughed and kept walking toward the Crone.

When the mountain blew in May 1980, I was completing my graduate degree at Eastern Michigan University. I found ash on my car. At least that was what we thought it was.

A month or so later, my entire life changed. I went to a writing workshop at Michigan State University and met Mario Milosevic who became my husband exactly one year later.

I always remembered that time in my life whenever I visited Loo Wit.

Now the three of us turned a corner as we continued walking toward the mountain; the wind nearly knocked me over.

I was miserable in the wind. I couldn't be out in the wind unless my ears are completely protected. Even as an adult, I had been prone to ear infections. Several years earlier I went to an outdoor wedding without cotton in my ears. A few days later, my eardrum burst. I was not eager to repeat that experience.

Still I wanted to keep walking toward the mountain. We were on the mountain already and yet we had the sense of walking toward her. We picked up big pieces of pumice on the way: They were as light as air. We hoisted them and then dropped them back to the ground.

The road curved. Ash all around us. Felt like I could reach out and touch the top of the mountain.

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The sun was beginning to descend. We had to get out of the Giff before night. I didn't want to drive in the dark on these narrow windy roads. We stopped walking, gazed at the mountain, and decided to head back. Just then we looked down at our feet. Tiny green wild strawberry plants were growing up from the gray dirt/ash. We squatted. The plants had tiny strawberries on them. Hunched over, the three of us plucked the tiny red strawberries, dusty with volcano breath, and we ate them.

I tasted fire.

I tasted wild.

I tasted my heart.



As we drove away from the mountain, I suddenly heard the call of the wild, heard the hills or the mountains or the trees, and I turned down a logging road. We got out and walked up an ashy hillside. Our feet sank in the ash as we walked slowly, reverently. We each reached down into the ash and pulled up a downed gray branch of some tree disappeared in the blast. Each branch--each stick--was its own piece of art, its own testimony to the power of the earth, its own record of the eruption and all that had happened since. Death and life, life and death.

Each were the color of the mountain.

Two became my staffs. I stood on the mountainside holding the bones of long dead trees, and I began to sing. I opened my mouth and the song of the mountain came out. The song of the hillsides. The wind. The trees. All the animals that had died. And survived. The song of all that had been and would be. I felt it pour out of me as though it were something separate and yet a part of my soul. It was a healing song. A memorial song. A song in exchange for the gift of the staffs. For the walking, praying, dancing, singing sticks.

My knees buckled as I sang. I could barely stand. The world stopped and listened.

Then the song was over. I opened my eyes and saw my friends.

The branches were nearly longer than the car, but we got them all in. One scratched me and drew blood. It was only fitting. Then we drove home.



The next week, I met my friends at Edgefield in Troutdale and I drove them into the gorge to a trail Mario and I had discovered a week earlier. We hadn't had time to hike it completely then, but very few people had been on the trail, so I decided it would be a good one for the three of us.

We walked up a steep paved path. That soon gave way to a dirt trail leading up through the woods. On either side of us were stands of Devil's Club. We stopped and gazed at them.

Devil's Club always feels sentient to me. Of course, most plants feel sentient to me. But something about Devil's Club plants seems preternatural, otherworldly, with a definite mind and feelings, thoughts and abilities. Warrior plants, they seem to beckon. As I get close, I see the spines that cover the stems and the undersides of the huge leaves. Yet they feel protective. As if their purpose is to protect, not to keep away.

At least not to keep me away.

When Mario and I had hiked this trail the week before, I had started to cry when I saw all the Devil's Club. I had never seen so much in one place. Something about them seemed so majestic and improbable. The sun shined through their leaves, so that they seem almost florescent green. And in this forest, they seemed to be protected: No one could harvest them here.

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The three of us kept walking through the prickly stand, up and over the first falls that we couldn't see from this vantage point, and then south again. We came to three old Doug fir trees across path. Three sisters: Me, Carly, and Marie. We immediately picked out our trees and went to stand by them.

"This is the threshold," I said, "and entrance. Let's each put a hand on our tree and walk through at the same time."

And this we did.

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We walked. The trail took us through a magnificent old forest, tangled and green, like something out of a faery land. We sat on a log across a stream for a long while, and then we walked some more. We stopped at every strange and wild place. Looked up at trees that threatened to fall. Looked up at half empty trees. Walked across wooden bridges. Wondered at names of this and that plant.

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These women understood and shared my awe at every curve in the trail.

And then we were at the two-tiered falls. I gasped at the sight of it, the sound, the moisture from it on the hot day. I had to get closer to the falls. Had to get to that in-between place behind the falls. The three of us braved the slippery rocks and went behind the falls. The water sprayed up. I stared at the falling water and saw a being dancing in the water. I pointed it out to my friends. We could all see it.

It was as though a ghostly dancer was caught in the falls--no, as if the falling water was a curtain and a part of the being all at the same time, a being who rose up from where the water hit the pool beneath it, and then moved down again, the shape changing but always looking as though it was something alive, a waterfall creature dancing, creating beauty whether there was a human audience or not. And then suddenly, occasionally, mist would shoot out of the waterfall and the being was gone for a moment, only to return again an instant later, with a different dance this time. It was unmistakable, eerie, and awesome.

I got closer to the waterfall. I could only hear the sound of the falls. Saw only the being in the falls.

It didn't matter that someone somewhere could explain why we could see what looked like a being in the waterfall. I didn't care. It existed, whatever the reason was. Just as the water existed. Just as I existed.

I began to sing to the waterfall spirit. Or maybe Carly started. In any case, the three of us stood under the waterfall singing.

We were living at the heart of the world. Singing at the heart of the world.

Wherever there's water, healing follows.

I knew this.

I closed my eyes and asked for a healing.

Something changed in the in-between place where I stood behind the falls just then. The wind shifted. The place shifted.

Or I shifted as the being shifted. The water slapped me. I breathed in mist. I gasped. I laughed. I could barely stand still.

Later Carly and Marie told me it looked as though I had merged with the waterfall spirit.

Still later, the three of us walked and walked and walked. Got lost, in a way. Found our way back. Walked some more.

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Drove back to Edgefield and had dinner. We talked about a million things. About love. They asked me to tell the story of how Mario and I met. Marie had heard the story before, but she wanted Carly to hear it.

Shortly before Mount St. Helens erupted in 1980, or maybe after, I wrote a story about a witchy woman. In the story, she had to accept her power and her destiny. She also met and fell in love with a beautiful and kind young man who was not like other men. It wasn't much of a story, but the young man had been interesting. Soon after writing the story, I attended a writing workshop at Michigan State where I met Mario. He reminded me of the gentle man in the story. I used to joke that I had written him into existence. But really, I suppose the story had prepared me to accept someone like Mario into my life. Someone wonderful who was not like any other man I had known.

The three of us talked of other things in the Black Rabbit restaurant, and then we went our separate ways. I returned to the gorge, and they headed toward Portland.

We went on other hikes, too. And I walked with Mario as well.

As the weeks went by, I began to write again. Short pieces about Butch. Five hundred words a day.

And I started thinking about what I wanted to do with the new schoolin' I had just completed. People kept asking me, "Now what?" And I hadn't had an answer. A few months earlier, one of my sisters had accused me of lecturing her when she called me about a problem she had. I felt bad about that for a while. Then I remembered in permaculture, we turn the problem into part of the solution.

People sometimes thought I was lecturing them. Maybe I seemed like a know-it-all, too. Instead of trying to change that about me, how could I use those qualities? My friends and acquaintances often asked me how they could be greener, how they could shop for healthy food, how they could conserve energy. I knew the answers to those questions most of the time. When they asked me questions I couldn't immediately answer, I knew how to find out.

Wasn't that what a consultant did?

Maybe that was part of what I would do--along with my writing--work as a kind of green researcher and consultant for people and businesses in my community.

I also began making tentative steps to find more connections in my community. One came to me out of the blue, out of the big sacred blue. I went over to my neighbor's house to ask him to cut some cherry wood into coin pieces for a rune set. The cherry was too rotten so we decided not to do it, but a couple hours later a woman came over to my house carrying a bag of deer antlers.

"Maybe you could use these," she said.

It turned out she was the new wife of my next door neighbor. (He's really two doors down and I don't see him often.) I had seen her before but she looked like his former wife, so I hadn't realized they were two different people!

She was one quarter Cherokee, and she had had a Native American shop for many years. Now she was a "devoted" Christian and she had to get rid of her beads, gems, and animals skins. Everyone in her church would think she was going to hell if they knew.

"Do you think you're going to hell?" I asked.

"No," she said. "I figure the creator made it all, but I can't share any of this with anyone I know."

"You can share it with me," I said, "as long as you don't care that I'm not Christian."

We kept trying to meet again, but we kept missing one another. One day I left a copy of Mercy, Unbound on her steps.

Eventually we found each other again and she showed me her gems and feathers, her beads and animals.

And so I had a new friend down the street from me. One day she knocked on my door and said, "Hold out your hand." Which I did. She put a bear claw on my palm.

I gave her a copy of Church of the Old Mermaids. She is reading it now. Every time she mentions the book, she smiles. "I love that you gave her visions," she told me.

That made me smile, too.

I live in a place where people are notorious for staying to themselves and/or only staying with their tightly knit group of people. I had tried many ways over the years to connect with people here in a meaningful way. I had rarely been successful. I didn't especially want to lead anything new, but I definitely wanted to be a part of my community.

Unfortunately, lately, everything that was interesting to me here was taking place at a new community center: a new TOXIC community center that was still outgassing more than a year after it opened. Since I couldn't participate there, I decided to hold meetings and salons and programs in a place that was safe for everyone: our library.

So I sent out a notice about starting a permaculture group. I said I wanted us to figure out ways to make our community sustainable and resilient during good times and tough times. Our country was changing and had been changing for the worse for the last decade or more. The politicians were eating away at our liberties and social programs. We were on our own, or would be soon, it seemed. How could we fend for ourselves and be thrivalists instead of survivalists? I wanted to have that discussion.

We only got eight people at the first meeting. Afterward, I wasn't sure I wanted to continue with it. I had no interest in starting something once again that was not going to be a collaboration. I was tired of talking to the same three people over and over, and I'm certain they were tired of talking to me,

But one of the people who came to the meeting was someone I didn't know, and he had a small organic farm in the next town over. He told us he had some extra veggies he couldn't use, so I arranged for a group of us to go to his place the next day and u-pick. I also got a dozen eggs from him, gathered from his free-range chickens who hadn't ever eaten corn.

From one meeting, I had made one valuable connection.

I felt like we needed these kinds of connections all through our community. If things went wrong, as they seemed to be going, we needed to know who was growing what in our community. We needed to know who had what skills.

I decided to send out another email asking people if they were interested in a permaculture group. I asked them to help pick a name. I got nearly fifty responses. This was ten times the response I usually got about anything! It seemed I had struck a nerve: People here were ready to take action to create the kind of community they wanted to live in.

Maybe.

We'll see what happens next.

Last week, I went to u-pick at the organic farm again. I talked with the gentleman who owned the place and told him I was taking two of my friends out hiking to one of the falls nearby. He nodded and said, "I built that deck out by the falls."

I love these kinds of connections.

A couple of days later, I took Carly and Marie out to Panther Creek. When we drove past the organic farm, I told them to remember that place and the man who owned the land. I would tell them why later.

At Panther Creek, we walked through old growth Douglas firs. We looked for rocks along the creek and tried to remember how to skip stones. (None of us was able to skip a single stone.) At one place along the river, dragonflies flew back and forth between us and the other bank, doing somersaults as they munched on bugs or showed off for us.

Maybe both.

The three of us ate eggs I had gotten from the organic farm.

Then I took them to the falls. We all found sticks along the road first, to steady ourselves on the trail. It could be a dangerous trip down.

We dipped into the woods, off the road, no sign to tell us the way. It was semi-dark inside these woods. No tangled green to lighten it. It was all red and black-gray--and white water.

It was almost as though we were inside a giant forest house.

The feel of it. Enclosed. Enveloped.

Trees hung over the rushing water, the rushing water that would become Panther Creek where we had been miles downstream. White water everywhere.

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We walked to the deck, the one the farmer had made, and I told Carly and Marie. The man whose eggs we ate, the man whose house we drove by, he built this deck.

A young man and woman stood on the deck next to us making out. I hoped they wouldn't have sex next to us as the three of us watched the creek fall, fall, fall into the ravine beneath us; another part of the creek flowed down a rock face to merge with the creek below. Eventually the couple left, and the three of us were left alone with all the wooded flora and fauna.

We hiked down to the edge of the stream and sat next to the trees, above the rushing water.

Ahhhhh.

Deep peace, deep peace, deep peace.

Eventually, we left the water's edge and walked up the trail: wild women walking.

As we passed one tree, I stopped. It looked as though a bear had been trying to gnaw through the bark to get to the tasty cambia beneath. Carly marveled that I could spot things like that in the woods. I just smiled.

Perhaps I was beginning to get my mojo back.

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Wednesday, July 27, 2011

Tim DeChristopher

I am sorry to report that Tim DeChristopher began his two year prison sentence today. This young man was trying to point out the obscenity of practically giving away our national treasures to the oil companies. For this, he has been sent to prison. I've linked to several good posts about it all. His statement to the court is inspiring. I'm so sorry he is now in jail because of an often unjust legal system, an often corrupt (silent) media, and an often passive citizenry.


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Monday, July 18, 2011

The New Edition of The Jigsaw Woman is Now Available!


Green Snake Publishing has just released the new edition of The Jigsaw Woman, in print and for your e-readers. We've got a beautiful new cover, and I've written an afterword about the novel: how it came into being, how people reacted to it when it first came out, and the various covers the novel has had. All the links and other information on the novel are here.


Read more here...

Friday, June 24, 2011

Certified: Chapters 18 & 19: Fini

Here are the last chapters for Certified: Learning to Repair Myself and the World in the Emerald City. My year of school is over! Because it's the conclusion it is very long. I did proof it, but it's been a long day and I'm sure I goofed up in my places. In any case: I hope you enjoy.

Chapter Eighteen: Top of the World, Ma!

The second residency came and went uneventfully. For the third residency and for the final project I would do for school, I was supposed to create a seven minute podcast about a particular resource. I told the class I would probably do something about plants. I wanted to talk about listening to plants intuitively, but I wasn't sure how that would go over.

I had been spending more and more time with the plants. It was spring, after all, even though we could hardly tell. It had been cold and rainy ever since we had come home from Arizona. Some of us wondered if this had anything to do with the meltdown of the Japanese reactors after the earthquake and tsunami. Something felt off in our neck of the woods. The weather was awful, and people kept getting sick and not getting better for a long time.

The rivers were flooding, and I often went to the Doetsch Ranch at Beacon State Park to walk and watch the river rise. Nettle grew up and around the old cottonwoods until they were nearly my height with tiny blossoms hanging from the leaves like necklaces that had come undone. Bright green lemon balm grew close to the ground, just off the trail under the cottonwood. In shaded hollows here and there, tiny bleeding hearts grew up amongst wild geraniums and miner's lettuce. And the grass grew higher and higher, hiding tall luscious and elegant looking comfrey plants--so deep green they were almost blue--and coltsfoot with their large multi-lobed leaves and odd-looking flower-head growing up on a stalk that looked separate from the plant, its blossoms reminding me of an explored fireworks display frozen in the sky of green.

I began talking to the plants again, especially those at the Ranch. And then I began talking with the plants. Or listening to the plants. I would stand next to a plant I didn't know and meditate with it, keeping my awareness open for images and thoughts. For one plant I "heard" that it was good for chest ailments. I also saw (in my mind's eye) that a lot was going on underneath--that the plants were actually a community of plants linked by what was underneath: a community.

I went home and didn't try to find out what the plant was. But the next day I happened upon a drawing of the plant that looked just like the one I'd found I the field, and I saw it was Western coltsfoot. I did some research and found Western coltsfoot was used for coughs and lung ailments. And it grew from rhizomes, so many stems (and flowers) grew up from creeping rhizomes: like a community.

This happened again and again. I would meditate or hang out with the flower or plant and then go home and do research and find out that what I "heard" was correct.

In the midst of this, I made a podcast about the wonders of plants and how we should try to communicate with them. I didn't want to come off as some kind of flake, so I quoted lots of experts: Stephen Harrod Buhner, Tim Scott (Invasive Plant Medicine), Matthew Wood, and others. I spent the day making this seven minute podcast, and then I put it out of my mind.

Only I kept thinking about the podcast. It had been a long and arduous year. Was I going to end it with this dull podcast about how cool plants were? It wasn't me. And it wasn't interesting.

So I made another podcast.

I still didn't like it.

Mario thought they were both great.

"But it's not me," I said.

Wasn't this last year all about changing me? All about me trying to find a more productive way to be in the world?

I kept thinking about the podcast.

Who was I? What did I enjoy doing?

I saw my life as a series of illnesses, at least my adult-life. Yuck. That was no way to think about my life.

That was what had happened to me.

That wasn't who I was.

I was the person who wrote Ruby's Imagine. I was the one who opened my mind and imagination so that Ruby could tell me her beautiful story.

I was the person who wrote Church of the Old Mermaids. I was the one who sat in a little shack in the foothills of the foothills of the Rincon Mountains in Tucson and let Old Mermaids come up out of the wash and tell me their stories.

I was the person who made up a story about a magical carrot cake and told it to my food systems class as they sat (seemingly) spellbound through the whole tale.

I was the person who asked friends to bring found objects to a gathering of women, and then I held each object, one at a time, and told an Old Mermaids tales based on the object.

I was a storyteller.

That was who I was.

A friend of mine told me once he was afraid what would happen to me if I couldn't write or tell stories. He was afraid for my safety and sanity.

And then it happened to me. My mind went haywire for a time. The docs said I had multiple chemical sensitivities. I was allergic to the world. I was not allergic to the world--I refuse to believe that's even possible. But something did happen and for a while, I couldn't read or write. Even after I got better, my writing wasn't the same. I wasn't the same.

But that was then. See? I get caught looking backward and seeing only these islands of illness and distress.

I was talking about me being a storyteller.

So I made another podcast for my class. This time I told a story about a man called Thomas who was apprenticing to Old Mrs. Kelly to be a faery doctor. He learned what was written in books, but he wasn't very good with the living plants. He couldn't hear them. After a series of events, he finally goes out to the plants and is truly still. And then he whispers, "Deep peace to you," and they whisper back to him. Soon he becomes the best apprentice Old Mrs. Kelly ever had, and he turns out to be a pretty good faery doctor.

I liked this podcast. It was perfect, but it was me.

Soon it was time to go to my final residency of my final class.

Before I left I talked on the phone with the Family Member who had been having trouble with prescription drugs. I couldn't tell if she was using or not, but she was having some health problems. She told me about them and I offered advice. Then she said she didn't want to be lectured, and she started to cry. I didn't think I was lecturing her, but I knew she often thought she was doing everything wrong and everyone thought she was doing everything wrong. To be fair, I did think that many of her decisions lately seemed self-destructive, and I didn't understand her thinking about many things.

And I just felt furious that she was accusing me of lecturing her. (It felt like an accusation.) I felt like I had spent part of my life trying to save her from oncoming traffic. It only worked once, when she was an infant and she went out into the road when I was supposed to watching her. I found her walking down the middle of the road, barefoot, in a diaper, while a truck barreled down on her. I swooped her up in my arms and saved her.

If I'd been watching her in the first place, she never would have needed saving.

Now she was her own person on her own journey. Now instead of saving her, I constantly felt like I was the one standing in traffic. And yet I wanted to save her. Or rather, I wanted her to be saved. I wanted her to be safe. If anything happened to her, it would be too difficult for our family to bear.

But now I wanted to scream at her as she told me not to lecture her. I wanted to scream at her to get her shit together because she was fucking up her life. Instead, I apologized. I knew it was foolish to argue with her if she was using. If she wasn't using, she was obviously feeling vulnerable and me screaming at her wasn't going to help. I told her I was just trying to help by giving her advice based on my experience.

Hah!

I got off the phone and talked to Mario about what had happened. He said most of the time people wanted to talk; they wanted someone to listen to them. I rolled my eyes. "I hate talking on the phone," I said, "so I'm not going to just sit there and be held captive while someone dumps their crap on me."

He shrugged. Clearly he understood her point of view and not mine.

"Why would they call me if they didn't want my advice?" I asked.

"Because you're family," he said.

I didn't get it. If I wasn't willing to hear my family's opinion about my life, I didn't tell them about my life. I kept most of my business private. My family knew less about my life than people who read my blog knew.

Even though I didn't get it, I told myself I would try to be better at just listening to family members when they called me. Our conversations were going to be short, however, because I certainly wasn't going to talk about my life.

Before Mario and I left for Seattle, I suggested to Mario that we look at our relationship and see if there were some things we needed to change. We were celebrating our thirtieth wedding anniversary this month (June), so I thought it was a good idea to take stock.

Sometimes I am a complete and utter idiot.

If it ain't broke so why fix it?

Almost immediately we stopped getting along. We were suddenly out of sync--or as if we were speaking two different languages. Then we were stuck in a car together for four hours. Fortunately we gave a friend of ours a ride to Tacoma. That took the burden off of us having to talk to one another for part of the trip.

I hadn't been able to get us a room at the place we usually stayed, so I rented the Quaker House rooms again. Mario and I were going to be stuck in a tiny bedroom about the size of our bathroom for three days. Three days. I was not looking forward to this weekend.

After we dropped our stuff off at the Quaker House, we decided to walk to the Medicinal Herb Gardens. The city seemed especially noisy on this Friday afternoon. As each car roared by us, I felt like I was being slapped. My nervous system started to overload. The wind blew dust up all around us as we walked. We got to the garden, but it seemed noisy, too. We didn't stay long. On the way back to the Quaker House, I held tightly to Mario's hand and tried to shield myself from all the noise and activity. I kept my head down and trusted him to lead me back to safety.

Finally, gratefully, we arrived back at the cool quiet Quaker House. It was such a relief. I sat quietly on my bed, wondering how I was ever going to survive in this world. My school year was almost over. I thought I'd be all cured this year. That had been my goal. It had been my goal for many years.

This line of thinking usually got me spiraling down into depression.

Not this time.

I looked up at Mario and said, "You know, I think it's normal to feel overwhelmed when there's too much noise and pollution and activity. I'm not odd. I'm not sick. I am experiencing a natural reaction to an unnatural state."

That's right.

It wasn't me.

I was natural.

Still, this natural person curled up into a fetal position on the bed. I didn't want to go anywhere. Mario found a menu for Araya's Place, a vegan Thai restaurant that had gluten-free food. It was only a few blocks away, so he left to go get us take-out.

I put the movie Under the Tuscan Sun in my computer and watched it until I was feeling better. Then I got up and walked to meet him. I grinned when I caught a glimpse of him walking down the sidewalk in the near distance, holding a takeout bag. We met and walked back to the Quaker House. We set up plates in our tiny room. Then we had some of the best food I could ever remember eating: delicious rice noodles and spicy vegetables, and rice brown and white rice and tofu and vegetables.

Later that night as Mario and I lay in our separate twin beds, I said, "OK, in permaculture we try to take problems and make them the solution. What could we do about the freeway that's above this whole neighborhood?"

It felt better to think about solutions than to focus on what wasn't working.

We began talking about what was possible, and then we decided to think about what was supposedly impossible. In Portland, they had removed a freeway (Harbor Drive) to build Tom McCall Park and this had helped transform the city. Together, Mario and I imagined the freeway disappearing. We imagined the stress lifting from the bodies of those who lived in these neighborhoods where they were bombarded with the constant sound of tires over pavement, an unpleasant white noise that never seemed to abate. In our imaginations, the noise disappeared. The city was more livable, the people more resilient.

In our imagination is where better worlds always begin.

Mario and I were beginning to get into step with one another again.

Mario fell to sleep, and the light came on outside and brightened the room. I could hear someone talking, too. Normally, I would have felt like this was an intrusion. How dare "they" turn on the light? How dare they disturb my rest? Then I thought about all the times I had traveled in Europe. If something happened there to disturb my sleep, I just felt like it was part of the adventure of traveling. If I heard people talking, it was part of the charm of the place.

Why couldn't I do that here? Why did I always take things so personally?

So I became charmed by the light and the sound of voices.

Eventually the light went off, and the voices went away.

Quiet ensued. I was charmed by the quiet.

I fell to sleep smiling.

The next day, I went to class at school for the first half of the day. For the second half, we all met at the teacher's house, just as we had a year ago. We listened to two community activists talk for a while, and then we listened to each other's podcasts. Everyone was clever and inventive: They talked resources like hugs, playing in nature, coffee, trash, dandelions. And then he played mine.

It seemed as though you could hear a pin drop as they listened. I couldn't tell if they liked it. It was so different from when I'm LIVE reading or telling a story or talking to a group. When it was over, I got lots of kudos. The teacher asked what I learned from the experience. I got choked up. I said, "I learned I am a storyteller. I haven't been able to make a living from my stories yet, but that's who I am."

I was glad I had done it my way.

Cue Frank Sinatra.

After class, the teacher invited us to stay for potluck. I remembered the potluck from a year ago. No one had talked to me. Not even the teacher. The teacher's parents had talked with me, and that had been kind. Sadly, the father--the one who had lent me his triple AAA card so that I could get a locksmith to come out and unlock my car (since I'd locked my keys in the trunk)--had died unexpectedly only a month earlier.

I hadn't brought anything for the potluck, plus I didn't actually want to stay, so I hugged a few of the people I had had classes with all year. And then I left.

I got into the car and drove out of west Seattle toward the University district. My year of schooling was almost over. I just had to write a final reflection. Then fini.

I got to the Quaker House where we met up with a friend and then we walked to Araya's for dinner. Somehow the onslaught of traffic and noise didn't seem to bother me as much today. Perhaps it was because I was in the company of my friend. We had a good dinner and conversation.

The next morning Mario and I got up very early and walked a couple of blocks to the Portage Bay Cafe for breakfast. I had scrambled tofu and potatoes. After, we drove north from Seattle toward Bastyr University. Once we got off the expressway, we drove down shaded windy streets and then down a long drive until we came out of the wood and onto the open sunny campus of this small university.

It was about 9:00 a.m. on a Sunday morning, so hardly anyone was around. We parked by the main building. To the left of this building, a short distance away, was what looked like student housing. In-between the student housing and the main building was the medicinal herb garden.

I got out of the car and took a deep breath. I felt instantly relieved, as though I had just come home. It was so quiet and peaceful after the city. I loved it instantly. I wanted to teach here. Or live here. Or maybe I should have gone to school at Bastyr! All sorts of thoughts went through my head when I first got out of the car. My acupuncturist, Jasmine, had told me about Bastyr some months earlier, but the time and the weather had never been right. Today was perfect.

We left the car behind and walked across the campus to the Medicinal Herb Garden. At first it looked smaller than the one at University of Washington. But as I walked around these circles of medicinal herbs, I began to feel as though I was in the middle of an enormous garden.

They had planted different beds of medicinal herbs according to what system they healed: brain, nervous system, respiratory system, etc. They had an elemental garden with four beds, each one based on a particular element. They had Ayurvedic herbs in one bed and Chinese medicinal herbs in another. They had a "shade garden" and inside it were "at risk" plants they were nurturing.

I was in awe. Now this was a medicinal herb garden. I first heard about "plague gardens" outside hospitals and clinics when I read a biography of 17th century scientific illustrator Maria Sibylla Merian (Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis). When I read the words "plague garden" a chill went up my spine; I knew that one day I would write a book called the Plague Garden. Walking around this medicinal herb garden I got a true feeling of healing that I would like to emulate in my book. This was what my plague garden would be like.

We stayed at the gardens for a long time. The longer I was there, the longer I wanted to stay. I took off my shoes and socks and walked along the "reflexology path." (Gingerly, I might add.) When I was a kid, I had spent most of my life barefoot and outside. Now my soles were soft and vulnerable.

Eventually we headed home. We stopped in Tacoma to pick up our friend. Thankfully the long drive home was uneventful and we arrived back safely.

I wrote my final reflection the next day. A day or two later, I got sick again. I wondered why. Maybe I hadn't honored the Dragon of Seattle enough? Or maybe I had eaten too much. I didn't know. I was frustrated.

I wasn't going to give up, though. I went back on an anti-inflammatory diet. Since my mother died, I had been eating more sweets than I usually did. Now I cut out sweets completely. Ate more protein and less carbos. I started meditating more regularly and doing breathing exercises. I turned off the TV. No more crime shows. No more murders.

A few days later, the weekend after we got back from Seattle, I attended a workshop on Celtic Shamanism and Druid Wisdom Tales taught by Tom Cowan. It was a small group, and several people from my two-year Celtic Shamanism program attended, too. Even though I was practically hacking up a lung half the time, I enjoyed myself immensely.

A friend once told me that I needed to find my tribe. When that happened, all would be well. I felt as though I was with my peers--with my tribe.

As I wandered the grassy labyrinth in the meadow with several of my friends, I thought about my classmates up in Seattle. Were they part of my tribe? They were certainly people who believed in being active members of their communities. They were working toward a sustainable and resilient world. I liked that. That was my plan as well. I didn't know any of them well enough to know whether they were part of my tribe.

This meadow, the birds overhead, the cottonwoods along the shore of the creek, the angelica growing in another field, the deer that grazed, hidden, in the tall grass, and the people walking with me in the labyrinth were part of my tribe. They were committed to their relationships with the unseen--and with nature.

I listened to stories all weekend. And I drummed and rattled. Told stories. Tom quoted Thomas Berry who said "we are the place the Earth dreams." I liked that.

I came into the main meeting room one morning and found an antler rattle on my chair. It was a gift from one of my Celtic brothers. The gesture brought me to tears, especially after I learned he had found the antler in the woods while hiking barefoot; then he had made it into a rattle himself.

The rattle held significance for me for another reason, too. For some odd reason, despite being under great stress and not feeling very well at the time, two months earlier I had decided to take a 20-week Sound Healing course. Before I had started back to school, I had clients and did healing work. I had put all of this on hold since I started school.

I didn't stop doing the healing work just because I went back to school. It was also because I doubted what I was doing. I could see that I helped some people, but I didn't help others. Primarily, I didn't help myself. To me, if I couldn't heal myself, what good were any of my healing abilities? How real or efficacious were these techniques if I was still ill?

When this sound healing class came up, I thought maybe it was just what I needed to get well. I was always desperately looking for an answer. I was desperately looking for wellness. I already did some sound healing with my clients, but once again, I thought an "expert" could give me clues so I could do it better.

So I signed up.

We were supposed to make our own instrument during the course of the class, so the teacher had us go on a journey (or meditation) to find out about the sound instrument we were supposed to make, one of my helpers told me someone would give me an antler. I remember thinking, "No one I know is going to give me an antler." One night I dreamed someone gave me a rattle. When I awakened from the dream I decided to make the rattle I was given in the dream, so that's what I did. I used a rosemary branch for the handle, a friend gave me rabbit fur for the handle, and I bought some elk hide for the head of the rattle. (I put in black beans and yellow corn for the rattle part.) It was beautiful, the sound was lovely, and I took it around Doetsch Ranch and let all the plants bless it.

Now, three days before our final class sound healing class and our public community healing, my Celtic brother gave me an antler. Not only an antler but an antler rattle. I knew I would use it in the community healing.

It was a beautiful weekend. I slept well. I felt nourished by the place and the people. I went home quite happy and content.

The following day, I had an urge to go to the Grotto, a 62-acre Catholic shrine and botanical garden in Portland. I wasn't sure why I wanted to go. I missed my dad, and I had taken my mom and dad to the Grotto years earlier. I took my camera and Mario and I went up to the garden, situated above the church. The rhododendrons were in bloom, and I took lots of photos. We wandered around the trails of this semi-wild, semi-manicured acreage and suddenly we saw labyrinth sign. We had never seen a labyrinth at the Grotto before.

We turned down the trail and walked to a labyrinth. It was off away from the rest of the gardens, tucked beneath tall old Doug firs. The area was semi-dark, secluded, faery-like. It was a Chartres labyrinth, unlike the more classical labyrinth at Still Meadow where the workshop had been. It was made from stones or bricks that looked like they had each been fashioned by hand.

I took a deep breath and stepped onto the path. I walked around each bend and curve, walked down each straightaway. How many years ago had I gotten sick and dizzy and thought of myself as the Minotaur trying to find my way out of a labyrinth that felt more like a maze than a path in and out? I had walked an outdoor labyrinth at Grace Cathedral in San Francisco. I had walked on the indoor labyrinth at the Trinity Episcopal Cathedral in Portland. Mario and I had made a labyrinth on the Oregon beach once and walked it until the tide washed it away. In Santa Fe, we had gone to the labyrinth by the folk museum in the dead of night and walked it. (That was so much fun!) I had walked the labyrinth at Still Meadow many times over the years and whenever I reached the center of it, I felt as though I were home.

Now I walked this new labyrinth with Mario. A couple of other people joined us. I liked that. I liked being with other people on the labyrinth. But none of them finished it. As I followed the curves, I saw a snail also "walking" the labyrinth. She who carried her house on her back. I looked down at her beautiful spiral and thought, "Yes, yes, yes. Everything is the same." When I began walking, she was going one way and then eventually she went the other way, out of the labyrinth.

When I got to the center, I felt the presence of all my guides. I grinned into the forest. Then I walked out again.

I took off my shoes and socks, and I walked it again.

I was giddy by the time I left.

The next night, I was in the center of a large room with seven other people. We were surrounded by a circle of thirty or more people. Our teacher had honored the directions and told the community how we would proceed. Now we were preparing to do a sound healing on a client who was on the massage table.

We began by making sound. We used our voices. We use the instruments we had made: rattles, bells, whistles, feathers and bells. We used drums, cymbals, bells (big and tiny) singing bowls (crystal and metal). We made pleasing sounds at first, then cacophonous noise, then soothing sounds. We worked in concert, in harmony and disharmony.

We did this for three hours, for one client after another. It felt otherworldly. It felt profound and communal. This surprised me because I had not connected very well with this group of people. They all belonged to a particular shamanic school in Portland, everyone except me and another friend of mine who had recommended the course. They all knew one other and I was, once again, a stranger. In the end, that didn't matter. Somehow we all came together and did the work.

Maybe that was what community was: Doing the work whether you liked or connected with the people or not. That wasn't my idea of community, but maybe that was all we got some of the time. Other times, we got our soul brothers and sisters, like at the Druid Wisdom Tales workshop, where I was with people who touched my soul, tickled it, embraced it, loved on it.

I used my deer rattle during this community sound healing. As I held it in my hand, I thought of my brother who had gifted it to me. I felt ancient and wise and connected to the spine and bloodstream of the world.

A couple of days later, I drove to Portland by myself and went to the grotto again. This time I took with me the rattle I had made and the antler rattle that my brother had been gifted to me. I walked the labyrinth first with the rattle I had made. Then I walked the labyrinth with bare feet, gently holding and shaking the antler rattle. Then I walked it a third time, silent.

Each time I felt as though I were on the back of a serpent, not just on stones on the ground.

I felt blessed by these experiences.

At home again I felt as though something was coming to a head. Something was changing. My breathing seemed worse rather than better. What was going on? I thought of my year in school. What had I accomplished?

I had survived it.

I had survived a very difficult year with my family.

I looked at almost everything a little differently than I had before. I knew more change happened in the world when people were inspired, not when they were bludgeoned with depressing facts. I knew more about the food system than I had known before--and I thought I'd known a lot. I knew a lot about permaculture. I could probably even design gardens and like doing it, as long as my gardens told stories. They had to nourish body and soul.

Beauty had to be a part of the equation.

If there even was an equation.

I sat at my desk one day and looked at all my certificates; I thought about all of my degrees. I was an educated woman in the liberal arts and in the healing arts.

And yet, I was still so un-easy. I still gasped for breath.

Something else was going on with me. With the world. Would I ever know what? I had spent twenty-five years trying to get healthy.

Was my life a wasted life?

I wanted more.

The cough held on. My breathing was ragged.

This was ridiculous.

I stopped using my inhaler. I gasped for breath, but I continued doing breathing exercises. I told myself I could breathe, I could breathe.

I kept hearing this small voice in my head getting louder, "You've learned all these things, now use them on YOURSELF."

I began giving myself pep talks. I listened to the plants and took remedies. I asked my dreams for answers.

Another voice said, "You've done all this before. It didn't work then and it won't work now."

Another voice said, "That was the past. Quit getting stuck in the past."

One day, I walked partway up Wind Mountain on my own. It's a steep elevation. I talked to the poison oak at the beginning of the trail and asked for safe passage. I asked the Spirits and Beings of the place for safe passage. It was difficult, but I went to the first plateau without using my inhaler. And I got a healing. The Spirit said, "There, now go home and forget about it."

I slipped and fell once going down, but I wasn't hurt.

Five days later, Mario and I decided to walk to the top of Wind Mountain.

We passed by the poison oak with a whispered blessing. Then up we went. Mario went ahead of me. I had to stop a lot. My chest was tight, but I didn't want to take any medication. So I went slow. Up we went. I felt like I was climbing Everest. Where was my oxygen?

Up we went. Then rested. Drank water. Walked.

I whispered to the mountain and the Beings of the Mountain every step of the way.

I wondered if I would drop dead of a heart attack. Or maybe my lungs would close down.

At least I was out of doors. At least I had my feet on Mother Earth.

I missed my own mother. I missed my dad.

My mom used to run. She had asthma, too. She wanted to be well more than anything. She never got well.

But maybe I could.

That would be all right, wouldn't it? If I got well.

Up.

I didn't know if I could make it.

It was so hard.

One time I was bent over gasping for breath, and I noticed a purple flower. Its leaves looked like it was in the lupine family. I talked to it for a bit. I knew "lupine" meant wolf, and I suddenly got a vision of a mother wolf, close to the ground. She could breathe.

She could breathe.

Yes, I could be like that wolf.

I could breathe.

I caught my breath and I walked.

Up the mountain I went.

Over three talus fields.

I was a wolf.

A flower.

A breeze.

I was me.

Around the corner.

I was at the top.

Almost. I was surrounded by bright green ferns overgrowing the path. All around me trees rose. Doug firs? I didn't notice. In the distance, 1,200 feet below, the Columbia River ran swollen and brown, near flood stage from our above average rainfall. The river curved west, past Beacon Rock, heading toward the ocean.

We heard sticks breaking, like how bears do in the woods to let you know where they are. So Mario broke sticks, too. And then a woman emerged from the green. She smiled and said hello and walked by us. We walked a few feet more and saw a man coming down from the top. He was grinning. Happy.

He stopped to talk. He had never been before. They had left an offering. He was so excited. I listened to him talk about his life. He asked us our names and then I asked him his. "Benny," he said.

I smiled. I had a character named Benjamin in all of my novels (or nearly all). I wasn't sure how it had started, but now the name was a kind of good luck charm.

We said our good-byes, and the man started to walk away. I said, "Is your wife's totem a bear by any chance?"

"It's mine," he said, "and we're pretty much joined at the hip."

"So it was your bearness we sense," I said.

He smiled and then said goodbye.

Mario went and stood by one of the old trees on the west side of the mountain. I continued through the brush up to the top of the mountain, where no trees or brush grew. I stood at the top of a large talus field.

I had made it.

I had walked to the top of Wind Mountain without using any medication.

It was probably the first time in twenty-some years that I hadn't had to use medication to walk so far and so high.

It was one of the highlights of my life so far. And it had been one of the most difficult things I had ever done. Nearly every step of the way I wondered if I was going to die.

Now I was ecstatic.

And a little out of breath.

I was at the top of a mountain where the indigenous people of this area used to come for their vision quests.

I wondered if they still came.

I held my arms up to the east and thanked the Spirits and Beings of the East. The river curved away to the East. Then I held my arms up to the south, where most of my view was blocked by the tops of the trees, but I could see the blue sky. I thanked the Spirits and Beings of the South.

I turned to the west and looked into the tangle of trees and brush, and I thanked the Spirited and Beings of the West. Finally I turned to the north. In the distance the hillsides were dark green with Doug firs. And further in the distance, I could see a mountaintop. I couldn't see enough to tell which mountain it was, but we figured it was Mount Adams. I thanked the Spirits and Beings of the North.

And I thanked what is above, below, and all around. I thanked the Mountain and all who lived in this Place.

Alone on this mountaintop--well, free of human companionship at least--I held my arms up, took a deep full breath, and cried out, "Top of the world, Ma!"

I left an offering of salmon. Mario came and stood with me for a while. Then another couple arrived. They sat and talked on a cellphone.

Mario and I said our goodbyes to the mountain, and then we began a mindful descent.



Chapter Nineteen: Healing

I thought I went back to school for noble reasons. I wanted to figure out ways to save the world because my ways weren't working.

It had been one of the worst years of my life.

It had also been one of the most amazing years of my life. Not only had I completed my certificate, but Mario and I had moved onto a new road in our writing. Instead of bemoaning the demise of publishing as we had known it, we embraced the new world. We started our publishing company, Green Snake Publishing, and we were working hard (and having great fun) reprinting previously published novels and publishing brand new novels we wrote, using covers we designed. I was in the midst of writing two non-fiction books when I decided I really wanted to finish writing Butch. In fact, I wanted to write several Butch novels. I was going to use my new community building skills to try and get backing to finish writing Butch. So I started a kickstarter project for the book.

I thought I had returned to school to acquire new skills. Maybe I had gone back to school because I had always excelled in school. Maybe I had wanted to do something I was good at again. I was so tired of failing.

Maybe I thought it would be comfortable. I could get back into the mainstream of life after years of illness. After years of being an edge dweller, where I talked to trees, plants, clouds, the wind, the air. Where I drummed and rattled and asked the plants for answers.

Only this time I hadn't excelled at school. Or maybe I did. They didn't give out grades, so even if I had excelled I wouldn't know it! I did well in my classes, but it didn't change anything. It didn't mean anything. No one was praising me. No one was telling me how great I was.

Did that mean I craved attention and approval?

Probably.

Oh my.

In the end, I didn't feel any better about myself because of my year in school. I knew so much already. That was one of the things I learned. About certain topics--like sustainability, green living, etc.--I was a font of knowledge. A font of wisdom, even, maybe.

I went to school looking for a way to heal the world because then I would be healed. Fixed. Put back together again like Humpty Dumpty after his great fall.

I thought it would direct me back into the world again. Propel me into the world.

Instead I began talking in earnest to plants again.

For so many years I had been fearful of being labeled New Age. (Still makes me shudder.) I didn't want to be considered some kind of flake who didn't understand science or logic. Because I did understand science and logic. I didn't want to be one of those people. I might be different, but I was good different.

But I had to face it. Essentially I was one of those people. Something had happened to our culture, or our human world, when we turned away from nature. Things got lopsided. Things got very dangerous. Things got sick.

When we stopped listening to the trees, we lost our ancient wisdom. When we stopped hearing the plants, we lost our Earth medicine. When we stopped thinking like a mountain, we lost our ability to be still and grounded. When we began ignoring the unseen, our world began unraveling. When we stopped listening to our dreams, the world became a nightmare.

We stopped hearing and telling stories.

Muriel Rukeyser said, "The universe is made of stories, not of atoms."

I had been trying to save the world and my family since I was a young girl.

Can we save the world if we can't save ourselves?

I've been in for repairs for too much of my life.

I ain't broken no more. At least not this moment.

Yesterday a lupine flower who turned into a wolf helped me climb a mountain.

That's the truth.

As I know it.

When I took a deep breath on top of the mountain yesterday, I felt as though I was breathing in myself.

I was becoming full of my one true self.

I am full of myself.

At least that's what I'm hoping I'm full of.

It's all an adventure, isn't it?

I wish you blessings on all your adventures.

May it be so.


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All work copyright © Kim Antieau 2008-.